{"id":851,"date":"2012-02-22T00:36:01","date_gmt":"2012-02-22T05:36:01","guid":{"rendered":"http:\/\/calverosdepot.com\/?p=851"},"modified":"2012-02-22T00:36:01","modified_gmt":"2012-02-22T05:36:01","slug":"sherlock-bbc-vs-pbs-versions-the-great-game","status":"publish","type":"post","link":"https:\/\/calverosdepot.com\/blog\/2012\/02\/22\/sherlock-bbc-vs-pbs-versions-the-great-game\/","title":{"rendered":"Sherlock: BBC vs. PBS versions – The Great Game"},"content":{"rendered":"

[Like with notes for The Blind Banker<\/a>, the following are rough notes for The Great Game. \u00a0I’ll fix ’em up and make ’em look pretty in a few days. \u00a0Why put them up when they are pretty already? \u00a0Obvious (sorry, slipped into sounding like Sherlock, haha). \u00a0PBS has both of their versions of The Blind Banker<\/a> and The Great Game<\/a> online, but only until Feb 29 (A Study in Pink is up until Mar 1). \u00a0If I waited until they were pretty, the videos would probably down :(. \u00a0So I decided to put them up…. Hmmm… Maybe that only makes sense to me?]<\/p>\n

I did find myself having to note when and where cuts were done. \u00a0It seems like there were multiple cuts wintin single scenes that wasn’t in earlier episodes. \u00a0I will recheck Pink and Banker again.<\/p>\n

Rough\u00a0notes\u00a0follow — Warning: Misspellings nad grammar errors are bound to be found…<\/p>\n

Oh, and spoilers!<\/p>\n

Mycroft introduces the case<\/strong><\/p>\n

Mycroft Holmes is at 221B and introduces a case for his brother and John to solve. While explaining what happened to Andrew West:<\/p>\n

John: Jumped in front of a train?<\/p>\n

Mycroft: Seems the logical assumption<\/p>\n

John: But?<\/p>\n

(cut)<\/p>\n

Mycroft: But?<\/p>\n

John: Well, you wouldn\u2019t be here if it was just an accident<\/p>\n

Sherlock laughs while wiping his violin bow<\/p>\n

(cut ends)<\/p>\n

Mycroft: The MoD is working on a new missile defence system, the Bruce-Partington Program, it\u2019s called. The plans were for it were on a memory stick.<\/p>\n

(cut again)<\/p>\n

John: (chuckles while looking at the papers that Mycroft had handed him) That wasn\u2019t very clever.<\/p>\n

Sherlock smiles, while still wiping his violin bow.<\/p>\n

Mycroft: It\u2019s not the only copy.<\/p>\n

John: Oh.<\/p>\n

Mycroft: But it is secret. And missing.<\/p>\n

John: Top secret?<\/p>\n

Mycroft: Very. (cut ends) We think West must have taken the memory stick. We can\u2019t possibly risk it falling into the wrong hands.<\/p>\n

On the way to Scotland Yard<\/strong><\/p>\n

After Lestrade calls Sherlock, both he and John leave 221B in a cab and head towards the Yard.<\/p>\n

Examining the shoes at Bart\u2019s<\/strong><\/p>\n

After the first communication with the bomber (via the hostage) at 221C, there is a cut to Sherlock examining the sneakers at Bart\u2019s. A couple shots were cut out.<\/p>\n

Later in that same scene, with John…<\/strong><\/p>\n

Sherlock: The only mystery is this – why\u2019s my brother so determined to bore me when somebosy else is being so delightfully interesting?<\/p>\n

(cut)<\/p>\n

John: Try and remember there\u2019s a woman who might die.<\/p>\n

Sherlock: What for? There\u2019s hospitals full of people dying, Doctor. Why don\u2019t you go cry by their bedside and see what good it does them?<\/p>\n

(cut ends)<\/p>\n

Computer beeps, with message \u201cSEARCH COMPLETED\u201d<\/p>\n

Back to Baker Street<\/strong><\/p>\n

After Sherlock talks about the case of Carl Powers and his missing shoes. Cut of Sherlock thinking while in the cab while shortly later being at 221B.<\/p>\n

John meets with Mycroft<\/p>\n

Mycroft gives John some more facts about about Adrew West and asks how Sherlock is doing with solving it.<\/p>\n

Mycroft: How is he getting on?<\/p>\n

John: He\u2019s fine. (cut) And it is going…very well. He\u2019s, um… (cut ends) He\u2019s completely focused on it.<\/p>\n

Abandoned car found<\/strong><\/p>\n

After Sherlock finishes talked with the bomber (via another hostage), there\u2019s just a second cut of a pan over from the river to the lot where the abandoned car is.<\/p>\n

A couple seconds later Sherlock and John arrive at the scene. Lestrade goes into explaining the situation:<\/p>\n

Lestrade: Told his wife he was going away on a business trip and he never arrived.<\/p>\n

(cut)<\/p>\n

Donovan: You\u2019re still hanging round him.<\/p>\n

John: Yeah, well…<\/p>\n

Donovan: Opposites attract, I s\u2019pose.<\/p>\n

John: We\u2019re not…<\/p>\n

Donovan You should get yourself a hobby. Stamps, maybe. Model trains. Safer.<\/p>\n

This last line was said over Sherlock checking out the driver\u2019s side of the car. Muted in PBS version.<\/p>\n

Just finished talking with Mrs. Monkford.<\/strong><\/p>\n

Sherlock: That\u2019s not a mistake a murderer would make.<\/p>\n

John: I see… (cut) No, I don\u2019t. What am I seeing?<\/p>\n

Donovan (calling out to John) Fishing. Try fishing<\/p>\n

John (turns around to see Donovan, then (cut ends) back to Sherlock): Where now?<\/p>\n

Sherlock at the lab<\/strong><\/p>\n

A couple seconds cut of Sherlock testing the blood sample from the abandoned car.<\/p>\n

Right after he drops the clear liquid onto the blood, the pink phone rings. Hserlock picks up the phone. Number is blocked. Sherlock ansrews it:<\/p>\n

Sherlock: Hello.<\/p>\n

Bomber (via the hostage): The clue\u2019s in the name – Janus Cars.<\/p>\n

Sherlock: Why would you be giving me a clue?<\/p>\n

Bomber: Why does anyone do anything? Because I\u2019m bored. We were made for each other, Sherlock.<\/p>\n

Sherlock: Then talk to me in your own voice.<\/p>\n

Bomber: Patience.<\/p>\n

Phone hangs up. Sherlock lowers it, staring into the distance, then back to his experiment. (cut ends) He holds up the petri dish and smiles.<\/p>\n

Importance: somewhat. Explains where Sherlock gets the \u201cclue\u2019s in the name\u201d that he quotes in the next scene with Lestrade.<\/p>\n

Good night, Vienna<\/strong><\/p>\n

Sherlock and John join Lestrade to inspect Connie Prince\u2019s body at the morgue.<\/p>\n

Sherlock: Something\u2019s wrong with this picture.<\/p>\n

Lestrade: Eh?<\/p>\n

(cut)<\/p>\n

Sherlock: Can\u2019t be as simple as it seems, otherwise the bomber wouldn\u2019t be directing us towards it. Something\u2019s wrong.<\/p>\n

John at the Princes\u2019 place<\/strong><\/p>\n

Raul (to John): Can I get you anything, sir?<\/p>\n

John: Uh, No, thanks.<\/p>\n

Kenny Prince smiles to Raul, who then leaves.<\/p>\n

Kenny: Raoul is my rock. I don\u2019t think I could have managed.<\/p>\n

John turns half around to where Raoul had left then looks back at the brother.<\/p>\n

Kenny: We always see eye to eye… but my sister was very dear to me.<\/p>\n

The cat meows while on John\u2019s lap. John moves the cat to the side.<\/p>\n

John: And to the uh, public, Mr Prince.<\/p>\n

Kenny: Oh,l she was adored. I\u2019ve seen her take girls who looked like the back end of Routemasters and turn them into princesses. Still, it\u2019s a relief, in a way, to know that she\u2019s beyond this veil of tears.<\/p>\n

Cat climbs back onto John\u2019s lap and purrs loudly.<\/p>\n

John (while leading far back away from the cat): Absolutely.<\/p>\n

Shoot to Sherlock, Mrs. Hudson, and Lestrade at 221B who are looking at Sherlock\u2019s wall of clues..<\/p>\n

Sherlock (talking on his own mobile phone): Great. Thank you. Thanks again.<\/p>\n

He then turns and makes a couple steps away from Mrs. Hudson and Lestrade and continues to talk in the background while Mr.s Hudson and Lestrade look at the wall.<\/p>\n

Mrs. Hudson: It\u2019s a real shame. I liked her. She taught you how to do your colours.<\/p>\n

Lestrade (turns to her): Colours?<\/p>\n

Mrs. Hudson: You know, what goes best with what. I hsould never wear cerise, apparently. Drains me.<\/p>\n

Sherlock turns back towards them, hanging up the phone, and joins them again.<\/p>\n

Lestrade (to Sherlock) Who\u2019s that?<\/p>\n

Sherlock (staring at the wall): Home office.<\/p>\n

Lestrade: Home office?<\/p>\n

Sherlock: Well, Home Secretary, actually. Owes me a favour. (puts his phone back into his jacket)<\/p>\n

(cut ends)<\/p>\n

Mrs. Hudson: She was a pretty girl, but she messed about with herself.<\/p>\n

Raul gets arrested<\/strong><\/p>\n

John: So, people come to him wanting their crimes fixed up, like booking a holiday?<\/p>\n

Sherlock: Novel.<\/p>\n

(cut)<\/p>\n

John: Huh (looking at tv)<\/p>\n

On the telly, John and Sherlock watch Raoul get put into a police car and photographers snapping away.<\/p>\n

(cut ends)<\/p>\n

Sherlock: Taking his time this time.<\/p>\n

A minute later after John gets angry with Sherlock who appears to not care about people dying, and Sherlock replies with not being a hero.<\/p>\n

Sherlock (after receiving a new pink phone message and John not wanting to help): Not much cop, this caring lark.<\/p>\n

Sherlock types frantically on his own phone for clues about the River Thames clue. Gets to \u201cLocal News\u201d.<\/p>\n

John sits on the sofa, looking through the papers.<\/p>\n

John (as he\u2019s reading) Archway suicide…<\/p>\n

Sherlock Ten-a-penny.<\/p>\n

(cut ends)<\/p>\n

Sherlock looks up info in Battersea.<\/p>\n

(another cut)<\/p>\n

John: Two kids stabbed in Stoke Newington.<\/p>\n

Sherlock looks through \u201cThames Police Reports\u201d<\/p>\n

John: Ah, man found on the train line, Andrew West.<\/p>\n

(cut ends)
\nSherlock (not paying attention to John): Nothing! (calls Lestrade)<\/p>\n

Dead man on the banks of the Thames<\/strong><\/p>\n

A second of the man laying on the banks. The sped-up arrival of a boat in the background both pulls up and (cut) then away from a dock\/port.(cut ends).<\/p>\n

Sherlock and John arrive on scene<\/p>\n

Sherlock and John meet Lestrade and they discuss the situation. Then Lestrade asks him:<\/p>\n

Lestrade: Any ideas?<\/p>\n

Sherlock: Seven. So far.<\/p>\n

Lestrade: Seven?<\/p>\n

(cut)<\/p>\n

Sherlock closely inspects the deadman\u2019s shirt<\/p>\n

(cut ends)<\/p>\n

Sherlock then takes off a sock and inspects the foot.<\/p>\n

On the search for information<\/strong><\/p>\n

Sherlock and John leave the deadman. In the cab, Sherlock questions why he hasn\u2019t heard from the bomber. Then tells the driver to go to Waterloo Bridge.<\/p>\n

John: Where now, the gallery?<\/p>\n

Sherlock: In a bit.<\/p>\n

John: The Hickman\u2019s contemporary art, isn\u2019t it? Why have they got hold of an old master?<\/p>\n

Sherlock (while pulling out a small notebook and pen): Don\u2019t know. Dangerous to jump to conclusions. Need data.<\/p>\n

(cut ends)<\/p>\n

He writes something in the notebook, tears it out, and folds it up.<\/p>\n

Shot of the outside of the cab as it rolls down the street.<\/p>\n

John visits Alex\u2019s flat<\/strong><\/p>\n

John asks Alex\u2019s flatmate about him.<\/p>\n

John: Stargazer, was he?<\/p>\n

Woman: God, yeah. Mad about it.It\u2019s all he ever did in his spare time. (cut) He was a nice guy, Alex. I liked him. He was, uh… never much of a one for hoovering.<\/p>\n

(cut ends)<\/p>\n

John: What about art? Did he know anything about that?<\/p>\n

Woman: It was just a job, you know?<\/p>\n

John(nods head): Mmm. (Turns around looking at more of Alex\u2019s things) Has anyone else been round asking about Alex?<\/p>\n

Woman: No. We had a break-in, though.<\/p>\n

John (turning around facing the woman): Mmm? When?<\/p>\n

Woman: Last night. There was nothing taken. (cut ends) Oh, there was a message left for Alex on the land line.<\/p>\n

John: Who was it from?<\/p>\n

Woman: I can play it for you, if you like. I\u2019ll get the phone.<\/p>\n

John: Please<\/p>\n

She leaves to get the phone, comes back with the phone and presses a button.<\/p>\n

Female voice on the other end: Oh, should I speak now? Alex? Love, it\u2019s Professor Cairns. Listen, you were right. You were bloody right. Give us a call when…<\/p>\n

phone hangs up.<\/p>\n

John: Professor Cairns?<\/p>\n

Woman: No idea, sorry<\/p>\n

(cut)<\/p>\n

John: Can I try and ring back?<\/p>\n

Woman: No good. I\u2019ve had other calls since. Sympathy ones, you know.<\/p>\n

(cut ends)<\/p>\n

Woman turns and walks away. John phone rings. He pulls it out and reads a text from Mycroft.<\/p>\n

Sherlock meets the museum\u2019s curator<\/strong><\/p>\n

After Sherlock leaves, and curator stands for a few seconds longer staring at the painting, as the sound of the door that Sherlock exited creaks and then closes with a loud echo.<\/p>\n

John meets with West\u2019s fiance<\/p>\n

John and the woman sit on a sofa inside her home.<\/p>\n

Woman: He wouldn\u2019t. He just wouldn\u2019t<\/p>\n

John: Stranger things have happened.<\/p>\n

Woman: Westie wasn\u2019t a traitor. It\u2019s a horrible thing to say!<\/p>\n

John: I\u2019m sorry. But you must understand that\u2019s…<\/p>\n

Woman: That;s what they think, isn\u2019t it, his bosses?<\/p>\n

John: He was a young man, about to get married, he had debts.<\/p>\n

Woman: Everyone\u2019s got debts, and Westie wouldn\u2019t want to clear them by selling out his country.<\/p>\n

John: Can you, um…? Can you tell me exactly what happened that night?<\/p>\n

Woman: We were having a night in. Just… watching a DVD. He normally falls asleep, you know, but he sat through this one. HE was quiet. Out of the blue he said he just had to go and see someone.<\/p>\n

John: And you have no idea who?<\/p>\n

John leaves followed by the woman. The woman\u2019s brother walks up with his bicicle.<\/p>\n

Brother: Hi, Liz. You ok, love?<\/p>\n

Liz: Yeah.<\/p>\n

Brother (giving a nod towards John): Who\u2019s this?<\/p>\n

John: John Watson, hi<\/p>\n

Liz: This is my brother, Joe. John\u2019s trying to find out what happened to Westie, Joe.<\/p>\n

Joe: You with the police?<\/p>\n

John: Sort of, yeah.<\/p>\n

Joe: Tell them to get off their arses, will you? It\u2019s blooody ridiculous.<\/p>\n

John: I\u2019ll do my best.<\/p>\n

Joe turns back to Liz and puts a comforting hands on her shoulder. She nods, and he goes inside.<\/p>\n

John (clears his throat) Well, uh, thanks very much for your help. Again, I\u2019m very very sorry.<\/p>\n

Liz (as John walks away): He didn\u2019t steal those things Mr Watson. I knew Westie, he was a good man. He was my good man.<\/p>\n

Importance: Very! It introduces Joe. Without this scene, the viewer is lost to know who he is later on when Sherlock and John confront him later on.<\/p>\n

John in a cab<\/strong><\/p>\n

Night shot of John riding in a cab, cut.<\/p>\n

Searching for the Golem<\/strong><\/p>\n

A couple shots of Sherlock and John with their flashlights inbetween shots of homeless people.<\/p>\n

Back at Scotland Yard<\/strong><\/p>\n

After Sherlock solves the last case which frees the young boy, Sherlock, Lestrade and Mrs. Wenceslas are sitting in Lestrade\u2019s office.<\/p>\n

Sherlock (with his fingertips together, looking upward): You know, it\u2019s interesting. Bohemian Stationary, as assassin named after a Prague legend, and you, Miss Wenceslas. This whole case has a distinctly Czech feeling about it. Is that where this leads? (cut ends) What are we looking at, Inspector?<\/p>\n

Going to Joe\u2019s home<\/strong><\/p>\n

From the train tracks to Joe\u2019s (Liz\u2019s brother), Sherlock and John talk about the stealing of the missile defense plans:<\/p>\n

Sherlock: Missile defence plans haven\u2019t left the country, otherwise Mycroft\u2019s people would have heard about it. Despite what people think, we do still have a secret service.<\/p>\n

John: Yeah, I know, I\u2019ve met them.<\/p>\n

Sherlock: Which means whoever stole the memory stick can\u2019t sell it or doesn\u2019t know what to do with it. My money\u2019s on the latter.<\/p>\n

They walk past a tall hedge and approaching stairs,<\/p>\n

Sherlock: We\u2019re here<\/p>\n

John: Where?<\/p>\n

They then turn right and go up the steps. (cut ends)<\/p>\n

That’s it for the first season. \u00a0PBS is airing Season 2 on May 6. \u00a0I hope to put that trio up in time instead of after 1 1\/2 years :).<\/p>\n\n

Tweet<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"

[Like with notes for The Blind Banker, the following are rough notes for The Great Game. \u00a0I’ll fix ’em up<\/p>\n

Continue Reading<\/a><\/div>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_crdt_document":"","jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[9],"tags":[18,123,140,259,165],"class_list":["post-851","post","type-post","status-publish","format-standard","hentry","category-sherlock-holmes","tag-bbc","tag-pbs","tag-sherlock","tag-sherlock-holmes","tag-tv"],"yoast_head":"\nSherlock: BBC vs. PBS versions - The Great Game » Calvero's Depot - 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