I have been a fan for about 30 years now, and while I have not constantly been buying things, I have gathered a nice assortment, and stories to go with them. Below are not all the things I have, but the ones that mean the most.
“Chaplin: His Life and Art” by David Robinson
The first thing, and still one of my top things, is a hardback copy of David Robinson’s “Chaplin, His Life and Art”. It’s sitting just a couple feet from where I’m writing now. And it was the first Chaplin item I bought. I wrote more about how I got it on Day 16.
“Charlie Chaplin: King of Comedy“ by Gerith Von Ulm
This book’s biggest distinction in my collection is it being the oldest of all my Chaplin books. Published in 1940, it’s a biography with Chaplin’s longtime Japanese valet and secretary, Toraichi Kono, as it’s main source I found it in a tiny bookstore. Well it was more like a stall. Part of a flea market that was inside an air-conditioned building. It was so tiny that only two or three people could fit!
Photographs from the set of Limelight
Back in 1995 I bought two photographs from a photographer who was on the set of Limelight. Bernie Schoenfield was a professional photographer who was hired by a magazine to shoot pictures during the making of the film.
I have not seen these photographs anywhere else since, not even on the internet, so they are very special to me 🥰
I had started to write more about meeting him for this post, but it was too long, and deserves it’s own post anyway. So that will be for later!
Movie Posters
I have a big poster for The Kid that I bought from a street vendor in Paris, France, many years ago. We were walking along a street, saw a vendor selling various books and some posters. While I was looking at The Kid poster, a young girl (10-12) and her mom were walking past and the girl said excitedly “Oh, Charlie Chaplin!”
Below is my Instagram post of two other posters. I had both of these up last year. Then a month or so later, The Adventurer fell down. But, as I said in my IG post, I love these so much!!
My sister’s mother in law gave it to me. She was given it by students of hers. She told me she doesn’t know why since she didn’t collect dolls or was a Chaplin fan. So when she found out I was a fan, she said I would enjoy it much more than she did. It originally came with a metal cane, but I have lost that over the years.
“Le manoir de mon pere” by Eugene Chaplin
This book I got awhile ago and it’s only in French, no English translation. Even though I couldn’t read French, I got it anyway because there’s lots of pictures of. I am currently learning French, and one of the reasons why is so I can read this book. A couple weeks ago I took it out and could immediately read the title without having to figure it out (Yeah, it’s not hard to figure out, but I understood *why*). I was proud of myself. And one day I plan on being able to read the whole book 🙂
Speaking of foreign language (or, rather, non-English). I also have “Mein Freund Charlie” by Jerry Epstein which is the German edition of Remembering Charlie (another great book with lots of pictures)
Customized Jacket with Chaplin’s face
Way back in the summer of 1996, I was in a circus (and, boy, is that a whole other story! And yes, Chaplin is linked with that too). One of our stops was in Harrisburg, PA, in a field next to a mall. My boyfriend and I went to inside to look around and saw a shop where you could get costumed designed one-of-a-kind shirts, jackets, etc made. He had a jacket with his three types of clowns he performed as (yes, really, he was a professional clown!). And me? I had Chaplin’s face put on the back of a black jacket. It looked, and still looks, awesome!
Chaplin CD soundtrack with ticket stub
I wrote about this back on Day 8, but I’ll share it her as well
“A picture I took a couple years ago: My very worn out CD of the Chaplin soundtrack, and in the middle, my ticket stub from the United Artists theater where I watched it on it’s nation-wide opening day.”
And that’s it!
After almost 3 years, I finally finished my 30 Day Charlie Chaplin Challenge! Huzzah! This was a lot of fun to write about. Most challenging was on Attenborough’s Chaplin movie because there was so much I had stuck in my brain since seeing it in theaters in 1993 and I finally got a big chunk of it somewhat organized and written out.
Future Challenges
I have a few other 30 Day Challenges lined up like:
Smothers Brothers (been wanting to do this for a loooong tiiimmee!)
Favorite Albums (challenged by my sister Megan)
Favorite Movies (challenged by my friend Sean) – Will there be a Chaplin movie on this list? Is that a rhetorical question?
I have two. My answers will not be surprising to long time Chaplin fans.
The Gentleman Tramp and Unknown Chaplin. Gentleman Tramp is a biography, and Unknown Chaplin is a “behind the scenes” doc.
I baffled my family growing up with the number of times I have watched these. And I have baffled my kids equally as much.
“Mom, you’re watching that again?“
Like his films, these docs are fun and comforting. And I appreciate the tons work that went into them.
By the way, these are listed in order of release date, not a ranking.
The Gentleman Tramp
First, The Gentleman Tramp, written and directed by Richard Patterson, narrated by Walter Matthau, released in 1975. One of the things that makes this interesting is that it was made while Chaplin was still alive.
I first saw it listed in David Robinson’s book. And then in the early 90s in my baby Chaplin fan days, I saw the VHS while browsing around one of my favorite stores, Media Play, and grabbed it up right away. And continued to watch it numerous times. Then many years later I saw it at Amazon from Patterson himself. The DVD has two versions of the doc: one is the version that was on the VHS, and another longer version with a introduction by Matthau and his son, Charlie as they traveled to Chaplin’s Switzerland home, and a couple alternate takes (for example: during the Joan Barry court case). The DVD also came with a booklet written by Patterson talking about the ups and downs of making the doc (Chaplin had some disagreements with him with how the doc was being put together). I usually watch the version that I first saw.
You can buy it from Amazon here. Or you can watch a couple clips from it that was put up by the official Chaplin YouTube Channel:
There’s no place that I know of where you can buy it streaming, but it is on DailyMotion – watch it here: part 1 and part 2.
All the music is either by Chaplin (most of it falls into this category), or about Chaplin (“When The Moon Shines Bright On Charlie Chaplin” played during discussing why Chaplin did not fight during WWI). It also has more footage from the 1972 Oscars than what exists online.
Narration is provided by Walter Matthau. Which seemed like an odd choice to me at first, but then I realized that his wife, Carol, and Charlie’s wife, Oona, had been best friends since their teens. Also wonderful voice-overs reading excepts from Chaplin’s autobiography (read by Laurence Olivier), his son Charlie Jr (haven’t ID’ed that voice), various news articles and gossip columns (either supporting Charlie or deriding him),
Unknown Chaplin
Unknown Chaplin was the first Chaplin documentary I saw, years before I was a fan. It was somewhere during part 2: “The Great Director” when they were showing how The Gold Rush was made. I remember sitting there amazed by everything. They were explaining how the famous shoe eating scene was done (the shoe was made of licorice). When I finally saw the film when I became a fan, I remember not being grossed out because I knew that it wasn’t a real shoe, just licorice in shape of a shoe. And it did not gross me out like it does everyone else. Then after I became a fan, I read how Chaplin said that he never liked to talk about how he made his films, because it ruined the magic of it. And I thought to myself “What is he talking about? I love seeing how it was done and all the behind the scenes stuff. That;s just silly…” And then I remembered the shoe, and then thought “Okay, maybe he does know what he’s talking about”. Haha.
What got me when I was younger was the witty writing, excellent narration (by James Mason), smart editing, fitting music (the wonderful Carl Davis!), and overall energy of the documentary. That’s what kept me watching the first time, and what keeps me coming back to it.
So what is Unknown Chaplin about?
In the 1970s when Kevin Brownlow and David Gill were putting together their behemoth multi-part documentary “Hollywood: A Celebration of the American Silent Film”, they discovered so much unseen Chaplin footage (that Chaplin had originally ordered to be destroyed) showing how he made his films that they decided to make a documentary based around that.
There’s 3 parts:
My Happiest Years – From his days at Mutual, this contains lots of footage of his filmed rehearsals as he worked out story ideas.
The Great Director – Footage from How to Make Movies, making of The Kid, The Gold Rush, City Lights,. Interviews with Dean Reisner, Jackie Coogan, Lita Grey, Robert Parrish, Virginia Cherrill, Georgia Hale..
Hidden Treasures – Main focus is ideas that Charlie would play around with earlier in his career with and how they would show up years later in his films. The other half is deleted scenes from his films. And some other footage from How To Make Movies and visitors to the studio
Below is part 1. I totally love all 3, but part 1 is my favorite, in particular the evolution of “The Immigrant”. And here’s part 3
Favorite lines/scenes from Unknown Chaplin
During the segment on how The Immigrant came about, in the scene with Charlie and Albert Austin, and Charlie purposely throwing Albert off and laughing:
“After all, it’s only slate one”
This is hilarious, because practically from the time Chaplin started directing while at Keystone, he was notorious for doing oodles and oodles of retakes.
And then shortly later
“The film is a simple cafe comedy about a man who’s never been in a cafe. That all it is. So far.”
In the beginning of part 2, “The Great Director”, Dean Reisner’s story of how Charlie and Sydney had to trick him into hitting them in The Pilgrim. Also love the edit of when Dean says “And so finally he and Sydney would play slapping games”. And it cuts to Charlie looking over at Sydney. Lovely edit! Also great story that I forgot to put in my “Favorite story about him told by someone else” post. You can also see this segment in the free preview on Amazon.
The opening of Hidden Treasures, with Doug Fairbanks 1929 home movie where Charlie is running around with a ancient Grecian tunic. And then fools around with a globe and then puts a WWI German helmet on it. Cut to 20 years later in The Great Dictator to the famous globe dance scene. That still jaw drops me! You can see the full home movie here (black and white, no music), and colorized (4k, 60fps,and music. Rather cool!)
(Side note: The above opening segment was cut out of the DVD and the version on Amazon. However, you can watch it in Amazon’s free preview. Why is it not included in the regular episode? I have absolutely no idea. I just noticed it now while writing this.)
From Hidden Treasures, the deleted barber scene from Sunnyside with Charlie and Albert Austin. Music is clever too. The song is from the opera The Barber of Seville. Like in Day 11 when it took me almost 30 years to realize Chaplin used Wagner in The Great Dictator, it took me a few years before I realized (though it was just 5 or so years). I was listening to the local NPR when they were playing Barber, and it got to that part, and I thought “Hey, I know that song!”. And then remembered Unknown Chaplin. Very clever use of the music :). You can watch the opera with that particular tune, “All’iddea di quel metallo”, here.
Also from Hidden Treasures, the cut scene from City Lights where Charlie tries to push a slat of wood down a grate. Most of the scene is slow, and I’m glad he cut it. BUT – the guy who comes out to window dress the mannequin and gets furious at Charlie for not figuring it out…. Love that!
Deleted from the DVD and Amazon release
One thing that got removed was Geraldine Chaplin’s introduction:
Right after the segment about the cut piece from “Behind the Screen” where Charlie just misses the huge axe landing on him, there was a pause before going onto the segment for “The Immigrant”. (Yeah, I watched the VHS that many times I remembered how it was edited, haha).
And, as I mentioned above about the Douglas Fairbanks opening for “Hidden Treasures”
Remember the Easter Egg in Robert Downey Jr’s Chaplin?
That documentary series I mentioned above that Brownlow and Gill made, “Hollywood” is an amazing multi-part series. One of the reasons why it’s amazing are the interviews with people who were there. Directors, actors and actresses that are no longer with us.
A great documentary that is not just about Chaplin, but the other great silent comedians: Buster Keaton, Harold Lloyd, and Harry Langdon. With interviews with Hal Roach, Frank Capra, and Jackie Coogan and a few other contemporaries. In “Comedy: A Serious Business”. Made by Brownlow and Gill a couple years prior to Unknown Chaplin.
It’s more of a video essay, but I really love the below video by the YouTube channel Newfangled (and currently has less than 1000 views at the moment): “Charlie Chaplin Doesn’t Give a F*ck”
I have not read many (well, there’s some “non-fiction” books…but I digress), but one that I have had fun reading is “Shadow and Substance: My Time with Charlie Chaplin (A Novel)” by Gerry Mandel. I have read it 3 or 4 times. Summary is that it takes place in the late 1990s and it’s about a guy named Cooper whose a huge Chaplin fan, who been hired to work on a documentary on Chaplin. And who appears from the mists of time to help him with this quest but Chaplin himself. Is Charlie a ghost? Time traveler? I’ll let you decide.
That does sound like a hokey description. But a fitting one that doesn’t give away too much.
Is it a literary masterpiece? I wouldn’t say that. Is it a lot of fun to read? Yes.
And if the title sounds familiar, it’s taken from one of many film projects that Chaplin had started on but never completed. And when he met his last wife Oona.
And Jason Allin, a filmmaker and a topnotch Chaplin impersonator, is currently recording an audiobook version. Hooray!
Into history? – Shoulder Arms. Or (the sort of a sequel) The Great Dictator
Into political/social issues? – Easy Street, The Kid, Modern Times, Monsieur Verdoux, A King in New York
Want a good cry that tears your heart out and rips it to shreds and stomps it on the ground? – The Kid, Limelight
Romantic? – The Immigrant, The Gold Rush, City Lights, The Circus, Limelight
Film Noir? Monsieur Verdoux
Artsy (and that does not star Chaplin but everything else behind the scenes is Chaplin): A Woman of Paris
Afraid of a strictly silent film and want something in-between all-silent and all-talkie? Modern Times
Want a silent film that is narrated? The 1942 version of The Gold Rush. Chaplin narrates it himself. As well as composed the music.
Great music? 1942 version of The Gold Rush, City Lights, Limelight
A general good place to start (and the first one I saw) – Modern Times
But the best environment to watch his films is with a group of people (which, I know, can be tricky with the current pandemic). There is something about watching with an audience that make films more enjoyable, and in this case, funnier. Especially when it comes to silent films. A great YouTuber I enjoy is Austin McConnell. A couple years ago he did a video about his experiences in how he learned to enjoy silent movies.
And ever since the Covid pandemic started, Ben Model has been running weekly live-streams of comedy shorts of not only Chaplin, but other comedians as well, both famous and not so famous. Every Sunday he provides live piano improvised accompaniment. A fun way to watch with a virtual audience and get some trivia about the movies.
Charlie’s oldest daughter, Geraldine, tells wonderful stories about her dad. My favorite: taking the family to a restaurant and eating a fish while grossing out his kids.
Sydney, the Trouble Maker
Another one is one I don’t know where I read it from but it takes place during his exile in Switzerland. Brother Sydney would come over to visit his nieces and nephews who all seemed to love and adore their uncle. Charlie would be another room, probably working. Syd would tell them an off color joke and they would laugh and the kids would go off and tell their father while Sydney stayed behind. He would then hear his little brother yell at them “Who told you that joke?”
And then angrily shout “SYDNEY!”. And Sydney would just sit there laughing.
From son, Eugene
Another great video is Eugene, the fifth child from Charlie’s long marriage with Oona. Both him and his older sister Geraldine tell wonderful stories. I really liked what he says towards the end about how his father belongs to everyone, but emotionally belongs to him.
There are oodles of other stories I could share, but I better stop with what Ia already picked out.
His whole autobiography is full of great stories. Traumatic childhood, going to America, making a huge success in movies, etc.
One story I really liked is a good example of what it was like to be super famous to an extent that no one had experienced before. With the popularity of movies, going from a fad to a international medium, Charlie was one of the first people to experience it.
He tells the story in his autobiography of how he fist found out how famous he really was. He was finishing up his film “Burlesque on Carmen” in 1915 (parody of the opera Carmen) and sent a telegram from California to his brother Sydney in New York saying that he’ll be leaving by train and to meet him in New York about various offers that were coming through.
With telegrams, a message is sent from city to city until it gets to its destination (this video from the Arizona Ghostriders helps explain it more). So each city got word that Chaplin was coming through, and so crowds began to gather in each train station. And each city there were bigger and bigger crowds. When the train got to Amarillo, Texas, this is what he saw:
Peeking out of the wash-room window, I saw the station packed with a large milling crowd. Bunting and flags were wrapped and hung from pillar to post, and on the platform were several long tables set with refreshments. A celebration to welcome the arrival or departure of some local potentate, I thought. So I began to lather my face. But the excitement grew, then quite audibly I heard voices saying: ‘Where is he?’ Then a stampede entered the car, people running up and down the aisle shouting: ‘Where is he? Where’s Charlie Chaplin?’
Chaplin, Charles . My Autobiography (Neversink) (p. 234). Melville House. Kindle Edition.
And a day or so later when reaching Kansas City:
The large railroad station in Kansas City was packed solidly with people. The police were having difficulty controlling further crowds accumulating outside. A ladder was placed against the train to enable me to mount it and show myself on the roof. I found myself repeating the same banal words as in Amarillo. More telegrams awaited me: would I visit schools and institutions? I stuffed them in my suitcase, to be answered in New York. From Kansas City to Chicago people were again standing at railroad junctions and in fields, waving as the train swept by. I wanted to enjoy it all without reservation, but I kept thinking the world had gone crazy! If a few slapstick comedies could arouse such excitement, was there not something bogus about all celebrity? I had always thought I would like the public’s attention, and here it was – paradoxically isolating me with a depressing sense of loneliness.
Chaplin, Charles . My Autobiography (Neversink) (pp. 236-237). Melville House. Kindle Edition.
It seemed that everyone knew me, but I knew no one…
Chaplin, Charles . My Autobiography (Neversink) (p. 238). Melville House. Kindle Edition.
Below is a shortened version on a 1921 newsreel when he returned for a visit to London. It’s not the same event as what he writes about above, but it gives you a brief idea of what it was like where you can get an idea of the crowds:
Okay, I have a whole bunch that I love (does every scene in his movies count?), but narrowing it down to just two.
The first one I have mentioned before (Day 6 – Favorite First National): From “The Kid” (100 years old this year! Huzzah! Soundtrack that Chaplin wrote is 50 years old this year! Huzzah again!). Below is from the official Chaplin YouTube channel (I was so happy when they uploaded the whole scene! YAY!)
A favorite vlogger of mine, Jordan from the YouTube channel “Daze with Jordan the Lion“, does Hollywood and musician locations, usually in the Los Angeles area. About 4 years ago he visited a couple location from The Kid: one (at was the alley where we first see Charlie walking towards the camera) is at about 7:56. The other alley (starting at 14:28) from the ending of the above scene.
Jackie Coogan was amazing, I really loved Michael Chaplin in A King in New York. Mack Swain in The Gold Rush was adorable (he was in some Chaplin shorts as well, but best in Gold Rush). Sydney Chaplin in Limelight was lovely.
King Shadov (Chaplin) o the left, and Ambassador Jaume (Oliver Johnston)
Coming out of left field, I’m going with Oliver Johnston from A King in New York. He played Ambassador Jaume, and was a great straight man to Chaplin’s King Shadov. Both of their reactions to American culture (wide screen movies, rock and roll, TV commercials, plastic surgery) as well as the growing paranoia that was McCarthyism was very funny. I have watched the film several times, and it never disappoints. Partly due to their onscreen camaraderie. Also Michael :).
It would have been interesting if Chaplin had been able to use him in any of his earlier films.
Johnston’s last film appearance was in Chaplin’s A Countess From Hong Kong, which was released shortly after he passed away.
Back in 2017, I decided to watch A Countess From Hong Kong. It was the 50th anniversary. I did not have it due to it not having been released on video until recently. So I bought the DVD, did a live tweeting of it to record my first thoughts while watching it..
I already shared some of my thoughts on Day 10. It was a weird sensation to watch a film of his that:
was in color
widescreen
I had never watched before (outside a couple clips)
I did a live tweet while watching. Below I copied and pasted my tweets, all are timestamped so you an follow along if you wish. Maybe I might do a commentary for it? Hmmm…
My live tweets (typos included)
(I put a star by my favorites)
Livetweeting #CharlieChaplin ‘s Countess From Hong Kong in 20 minutes. Sort of a 50th anniversary celebration 🙂 #CountHK 19:40:46, 2017-07-07
Since #CharlieChaplin wrote and directed it, but only gave himself cameos, I feel I’ll be seeing his “direction” in everyone #CountHK 19:58:33, 2017-07-07
And play… #CountHK 20:00:25, 2017-07-07
Bit nervous for this, don’t know why #CountHK #CharlieChaplin 20:01:34, 2017-07-07
Ah, the familiar dance hall girl theme #CountHK #CharlieChaplin 20:02:52, 2017-07-07
Written and directed by Charles Chaplin. Woop! #CountHK #CharlieChaplin 20:03:42, 2017-07-07
That looked like that hurt #CountHK #CharlieChaplin 21:28:58, 2017-07-07
Ah, lovely Tippi Hendrin. She seems to have escaped the birds #CountHK #CharlieChaplin #badHitchcockjoke 21:30:34, 2017-07-07 *
Charlie could have done better job with the beach. #CountHK #CharlieChaplin 21:36:15, 2017-07-07
The lovely Chaplin girls 😊#CountHK #CharlieChaplin 21:37:28, 2017-07-07
I like that zoom on Brando #CountHK #CharlieChaplin 21:42:37, 2017-07-07
Oooh. BUSTED! Never try to outsmart your wife. She always figures it out! #CountHK #CharlieChaplin 21:44:37, 2017-07-07 *
And the ending credits #CountHK #CharlieChaplin 21:48:32, 2017-07-07
Pretty good! I’ll have to watch it again, but I thought it was nice. VERY weird to watch Chaplin movie in color. #CountHK #CharlieChaplin 21:50:46, 2017-07-07
Reminded me of King of New York. And a few others where Charlie falls for a dancehall girl. #CountHK #CharlieChaplin 21:52:41, 2017-07-07
But that makes me having seen all of Chaplin’s films. Only took 25 years, lol. Don’t like rushing a good thing 😉 #CountHK #CharlieChaplin 21:55:06, 2017-07-07
To end this livetweet: This is My Song sung by Petula Clark, music & lyrics by Chaplin #CountHK #CharlieChaplin https://t.co/3UiNFEnSXj 22:19:41, 2017-07-07
https://youtu.be/6te8487zsbE
Bonus
Curing the filming, Charlie celebrated his 77th birthday with the cast. And shared in on a tall cake with a Little Tramp figure at the top. Film from British Pathé YouTube channel. And, sorry, no sound (which seems fitting).
Bit of trivia: the little girl with the blonde hair in pigtails is Tippi Hedren’s daughter, future actress Melanie Griffith.
If I had done this 30 Day Challenge in 30 consecutive days when I began it two years ago last month, I would not have named this film because it had not come out yet. When Jojo Rabbit was released back in October 2019, I was curious about it. Then I heard comparisons to Chaplin’s The Great Dictator, and I was all in on wanting to see it!
One thing that both films tackle is the absurdity of Nazism. In different ways.
And as Taika Waititi says in his tweet below: “what better way to insult Hitler than having him portrayed by a Polynesian Jew?”
Chaplin had one set of problems with Hitler, Waititi had another. If you were to make a Venn diagram, both with a lot of overlap. And both played satires of Hitler. And both were brilliant at it.
Both deal with facing a prejudice by a character having prejudices, then meeting someone who having real encounters with people who they were taught were no good, though in Jojo it is more prominent. In The Great Dictator, the Jewish Barber saves Schultz, a Tomanian (German) officer, during The Great War. Later, even after Schultz finds out the man who saved him was not Aryan but Jewish, he orders no one to be assaulted in the Jewish ghetto.
Similarly, in Jojo Rabbit, when Jojo meets the girl, he doesn’t like her because she’s Jewish, but after days go by and they talk, he begins to doubt his prejudice and likes her.
Well, it’s an okay comparison. Not exactly the same, but similar.
Another similar thing is that both films were nominated for Oscars, including Best Picture. But Jojo won one, for Best Adapted Screenplay.
Reviews and Discussions
Below is one of my favorite YouTuber movie reviewers, Jeremy Jahns, as he talks about what he thought of it.
The German version of David Bowie’s “Heroes” (German version also sung by Bowie) is used in both the trailer and the end of the movie. One of Chaplin’s sons, Eugene Chaplin, was a assistant engineer for the regular English-sung album. Eugene’s son Spencer interviewed him on his Chaplin Talks podcast, and Spencer brought that up:
