I have two. My answers will not be surprising to long time Chaplin fans.
The Gentleman Tramp and Unknown Chaplin. Gentleman Tramp is a biography, and Unknown Chaplin is a “behind the scenes” doc.
I baffled my family growing up with the number of times I have watched these. And I have baffled my kids equally as much.
“Mom, you’re watching that again?“
Like his films, these docs are fun and comforting. And I appreciate the tons work that went into them.
By the way, these are listed in order of release date, not a ranking.
The Gentleman Tramp
First, The Gentleman Tramp, written and directed by Richard Patterson, narrated by Walter Matthau, released in 1975. One of the things that makes this interesting is that it was made while Chaplin was still alive.
I first saw it listed in David Robinson’s book. And then in the early 90s in my baby Chaplin fan days, I saw the VHS while browsing around one of my favorite stores, Media Play, and grabbed it up right away. And continued to watch it numerous times. Then many years later I saw it at Amazon from Patterson himself. The DVD has two versions of the doc: one is the version that was on the VHS, and another longer version with a introduction by Matthau and his son, Charlie as they traveled to Chaplin’s Switzerland home, and a couple alternate takes (for example: during the Joan Barry court case). The DVD also came with a booklet written by Patterson talking about the ups and downs of making the doc (Chaplin had some disagreements with him with how the doc was being put together). I usually watch the version that I first saw.
You can buy it from Amazon here. Or you can watch a couple clips from it that was put up by the official Chaplin YouTube Channel:
There’s no place that I know of where you can buy it streaming, but it is on DailyMotion – watch it here: part 1 and part 2.
All the music is either by Chaplin (most of it falls into this category), or about Chaplin (“When The Moon Shines Bright On Charlie Chaplin” played during discussing why Chaplin did not fight during WWI). It also has more footage from the 1972 Oscars than what exists online.
Narration is provided by Walter Matthau. Which seemed like an odd choice to me at first, but then I realized that his wife, Carol, and Charlie’s wife, Oona, had been best friends since their teens. Also wonderful voice-overs reading excepts from Chaplin’s autobiography (read by Laurence Olivier), his son Charlie Jr (haven’t ID’ed that voice), various news articles and gossip columns (either supporting Charlie or deriding him),
Unknown Chaplin
Unknown Chaplin was the first Chaplin documentary I saw, years before I was a fan. It was somewhere during part 2: “The Great Director” when they were showing how The Gold Rush was made. I remember sitting there amazed by everything. They were explaining how the famous shoe eating scene was done (the shoe was made of licorice). When I finally saw the film when I became a fan, I remember not being grossed out because I knew that it wasn’t a real shoe, just licorice in shape of a shoe. And it did not gross me out like it does everyone else. Then after I became a fan, I read how Chaplin said that he never liked to talk about how he made his films, because it ruined the magic of it. And I thought to myself “What is he talking about? I love seeing how it was done and all the behind the scenes stuff. That;s just silly…” And then I remembered the shoe, and then thought “Okay, maybe he does know what he’s talking about”. Haha.
What got me when I was younger was the witty writing, excellent narration (by James Mason), smart editing, fitting music (the wonderful Carl Davis!), and overall energy of the documentary. That’s what kept me watching the first time, and what keeps me coming back to it.
So what is Unknown Chaplin about?
In the 1970s when Kevin Brownlow and David Gill were putting together their behemoth multi-part documentary “Hollywood: A Celebration of the American Silent Film”, they discovered so much unseen Chaplin footage (that Chaplin had originally ordered to be destroyed) showing how he made his films that they decided to make a documentary based around that.
There’s 3 parts:
My Happiest Years – From his days at Mutual, this contains lots of footage of his filmed rehearsals as he worked out story ideas.
The Great Director – Footage from How to Make Movies, making of The Kid, The Gold Rush, City Lights,. Interviews with Dean Reisner, Jackie Coogan, Lita Grey, Robert Parrish, Virginia Cherrill, Georgia Hale..
Hidden Treasures – Main focus is ideas that Charlie would play around with earlier in his career with and how they would show up years later in his films. The other half is deleted scenes from his films. And some other footage from How To Make Movies and visitors to the studio
Below is part 1. I totally love all 3, but part 1 is my favorite, in particular the evolution of “The Immigrant”. And here’s part 3
Favorite lines/scenes from Unknown Chaplin
During the segment on how The Immigrant came about, in the scene with Charlie and Albert Austin, and Charlie purposely throwing Albert off and laughing:
“After all, it’s only slate one”
This is hilarious, because practically from the time Chaplin started directing while at Keystone, he was notorious for doing oodles and oodles of retakes.
And then shortly later
“The film is a simple cafe comedy about a man who’s never been in a cafe. That all it is. So far.”
In the beginning of part 2, “The Great Director”, Dean Reisner’s story of how Charlie and Sydney had to trick him into hitting them in The Pilgrim. Also love the edit of when Dean says “And so finally he and Sydney would play slapping games”. And it cuts to Charlie looking over at Sydney. Lovely edit! Also great story that I forgot to put in my “Favorite story about him told by someone else” post. You can also see this segment in the free preview on Amazon.
The opening of Hidden Treasures, with Doug Fairbanks 1929 home movie where Charlie is running around with a ancient Grecian tunic. And then fools around with a globe and then puts a WWI German helmet on it. Cut to 20 years later in The Great Dictator to the famous globe dance scene. That still jaw drops me! You can see the full home movie here (black and white, no music), and colorized (4k, 60fps,and music. Rather cool!)
(Side note: The above opening segment was cut out of the DVD and the version on Amazon. However, you can watch it in Amazon’s free preview. Why is it not included in the regular episode? I have absolutely no idea. I just noticed it now while writing this.)
From Hidden Treasures, the deleted barber scene from Sunnyside with Charlie and Albert Austin. Music is clever too. The song is from the opera The Barber of Seville. Like in Day 11 when it took me almost 30 years to realize Chaplin used Wagner in The Great Dictator, it took me a few years before I realized (though it was just 5 or so years). I was listening to the local NPR when they were playing Barber, and it got to that part, and I thought “Hey, I know that song!”. And then remembered Unknown Chaplin. Very clever use of the music :). You can watch the opera with that particular tune, “All’iddea di quel metallo”, here.
Also from Hidden Treasures, the cut scene from City Lights where Charlie tries to push a slat of wood down a grate. Most of the scene is slow, and I’m glad he cut it. BUT – the guy who comes out to window dress the mannequin and gets furious at Charlie for not figuring it out…. Love that!
Deleted from the DVD and Amazon release
One thing that got removed was Geraldine Chaplin’s introduction:
Right after the segment about the cut piece from “Behind the Screen” where Charlie just misses the huge axe landing on him, there was a pause before going onto the segment for “The Immigrant”. (Yeah, I watched the VHS that many times I remembered how it was edited, haha).
And, as I mentioned above about the Douglas Fairbanks opening for “Hidden Treasures”
Remember the Easter Egg in Robert Downey Jr’s Chaplin?
That documentary series I mentioned above that Brownlow and Gill made, “Hollywood” is an amazing multi-part series. One of the reasons why it’s amazing are the interviews with people who were there. Directors, actors and actresses that are no longer with us.
A great documentary that is not just about Chaplin, but the other great silent comedians: Buster Keaton, Harold Lloyd, and Harry Langdon. With interviews with Hal Roach, Frank Capra, and Jackie Coogan and a few other contemporaries. In “Comedy: A Serious Business”. Made by Brownlow and Gill a couple years prior to Unknown Chaplin.
It’s more of a video essay, but I really love the below video by the YouTube channel Newfangled (and currently has less than 1000 views at the moment): “Charlie Chaplin Doesn’t Give a F*ck”
Into history? – Shoulder Arms. Or (the sort of a sequel) The Great Dictator
Into political/social issues? – Easy Street, The Kid, Modern Times, Monsieur Verdoux, A King in New York
Want a good cry that tears your heart out and rips it to shreds and stomps it on the ground? – The Kid, Limelight
Romantic? – The Immigrant, The Gold Rush, City Lights, The Circus, Limelight
Film Noir? Monsieur Verdoux
Artsy (and that does not star Chaplin but everything else behind the scenes is Chaplin): A Woman of Paris
Afraid of a strictly silent film and want something in-between all-silent and all-talkie? Modern Times
Want a silent film that is narrated? The 1942 version of The Gold Rush. Chaplin narrates it himself. As well as composed the music.
Great music? 1942 version of The Gold Rush, City Lights, Limelight
A general good place to start (and the first one I saw) – Modern Times
But the best environment to watch his films is with a group of people (which, I know, can be tricky with the current pandemic). There is something about watching with an audience that make films more enjoyable, and in this case, funnier. Especially when it comes to silent films. A great YouTuber I enjoy is Austin McConnell. A couple years ago he did a video about his experiences in how he learned to enjoy silent movies.
And ever since the Covid pandemic started, Ben Model has been running weekly live-streams of comedy shorts of not only Chaplin, but other comedians as well, both famous and not so famous. Every Sunday he provides live piano improvised accompaniment. A fun way to watch with a virtual audience and get some trivia about the movies.
His whole autobiography is full of great stories. Traumatic childhood, going to America, making a huge success in movies, etc.
One story I really liked is a good example of what it was like to be super famous to an extent that no one had experienced before. With the popularity of movies, going from a fad to a international medium, Charlie was one of the first people to experience it.
He tells the story in his autobiography of how he fist found out how famous he really was. He was finishing up his film “Burlesque on Carmen” in 1915 (parody of the opera Carmen) and sent a telegram from California to his brother Sydney in New York saying that he’ll be leaving by train and to meet him in New York about various offers that were coming through.
With telegrams, a message is sent from city to city until it gets to its destination (this video from the Arizona Ghostriders helps explain it more). So each city got word that Chaplin was coming through, and so crowds began to gather in each train station. And each city there were bigger and bigger crowds. When the train got to Amarillo, Texas, this is what he saw:
Peeking out of the wash-room window, I saw the station packed with a large milling crowd. Bunting and flags were wrapped and hung from pillar to post, and on the platform were several long tables set with refreshments. A celebration to welcome the arrival or departure of some local potentate, I thought. So I began to lather my face. But the excitement grew, then quite audibly I heard voices saying: ‘Where is he?’ Then a stampede entered the car, people running up and down the aisle shouting: ‘Where is he? Where’s Charlie Chaplin?’
Chaplin, Charles . My Autobiography (Neversink) (p. 234). Melville House. Kindle Edition.
And a day or so later when reaching Kansas City:
The large railroad station in Kansas City was packed solidly with people. The police were having difficulty controlling further crowds accumulating outside. A ladder was placed against the train to enable me to mount it and show myself on the roof. I found myself repeating the same banal words as in Amarillo. More telegrams awaited me: would I visit schools and institutions? I stuffed them in my suitcase, to be answered in New York. From Kansas City to Chicago people were again standing at railroad junctions and in fields, waving as the train swept by. I wanted to enjoy it all without reservation, but I kept thinking the world had gone crazy! If a few slapstick comedies could arouse such excitement, was there not something bogus about all celebrity? I had always thought I would like the public’s attention, and here it was – paradoxically isolating me with a depressing sense of loneliness.
Chaplin, Charles . My Autobiography (Neversink) (pp. 236-237). Melville House. Kindle Edition.
It seemed that everyone knew me, but I knew no one…
Chaplin, Charles . My Autobiography (Neversink) (p. 238). Melville House. Kindle Edition.
Below is a shortened version on a 1921 newsreel when he returned for a visit to London. It’s not the same event as what he writes about above, but it gives you a brief idea of what it was like where you can get an idea of the crowds:
And now we come to his last great era: The United Artists movies. This is the most difficult of all eras because these are (to me, anyway) his best of the best. So now it’s the best of the best of the best.
There’s the underrated and often forgotten “A Woman of Paris”, classic The Gold Rush (I prefer the ’42 version, so help me), heartbreaking funny The Circus (so many layers to why I love this), historic The Great Dictator (Hey Hitler, take that! <punch>. And that ending speech!), Monsieur Verdoux (not your typical Chaplin film, but I love it anyway), and the wonderful Limelight (Chaplin looks so different, it’s like a different actor named Charlie Chaplin is starring it).
I do love and adore all of the above movies. But there is one film that I did not name above and that is Modern Times. The silent movie that isn’t quite a silent movie. The first Chaplin film I saw. And where I began to understand why he was/is a really big deal. (Basically he did just about everything, and he did it well.)
Favorite Scenes
In short: the whole freakin’ movie. But I’ll try and break it down.
The feeding machine. I saw that and just laughed silly. My sides hurt. My mouth hurt. I can’t look at an ear of corn without letting out a little smile.
And then I found out years later that Chaplin was actually controlling the machine underneath the rotating table. He was literally beating himself up. Anything for the art!
The roller skating scene in the department store. If you have seen The Joker (and even the trailer used Jim Durante’s cover of Smile), you have seen this scene. Where Charlie blindfolds himself and roller skates around the floor…. without noticing that the upper floor they are on is under construction.
The shack. The quaint little shack. Where there is a dangerous looming board that swings down and hits Charlie on the noggin. Not once, but twice. I love how Charlie looks up at it, daring it to come down, and… bonk him on the head. Which it does. Always makes me laugh.
The Nonsense Song. Of course, I have to mention the restaurant where Charlie uses his voice for the first time in his movies. And, one may argue, the only time that we hear the Little Tramp’s voice. If you don’t understand the song… well, what’s wrong with you? Kidding. It’s all gibberish on purpose. It’s what happens when you mix French, Italian, Spanish (and who knows what other languages) in a pot, let simmer for a few hours, and have it sung by a guy who is known for being a silent clown. And he pantomimes the story.
Hidden in Plain Sight
I watched this film so many times that I felt there wasn’t much to see that was “new”. But then one day I gave myself a challenge and tried to watch other things other than Charlie happening in-frame. And this is what I have noticed (so far, anyway):
In the lunch scene, there’s a presumably gay prisoner amongst the other prisoners. When they file out to exit, he’s the guy in front of the big guy who is in front of Charlie.
In the department store, and Charlie and the Gamin leave the elevator, the Gamin runs over excitedly to a Mickey Mouse doll and plays with it.
The Music
It’s amazing. While writing this post, I’ve had certain bits running in my head. When I was younger, I could tell what was happening on screen without looking (I’m a bit fuzzy with my memory now. Busyness of life, and getting older).
For streaming, Amazon is a good place to either rent or buy. Also for Blu Ray and DVD.
Bonus
Back in 2004, a singer by the name of J Five released a hip-hop song also called Modern Times that heavily sampled the Nonsense Song. The video costars one of Charlie’s grand-daughters, Dolores.
In my last post for Favorite First National, I named The Kid. Little Jackie Coogan was 4. During the making of Modern Times, he visited Chaplin and they had fun taking some pictures. Little Jackie was now grown up! Here’s a couple photos from then on the street set of MT:
There are lots of other things I can say about this movie (well, all his movies), but I better stop now. Maybe I’ll write more about it down the road :).
Next up – Thoughts on “Chaplin” the movie starring Robert Downey Jr
