Charlie’s oldest daughter, Geraldine, tells wonderful stories about her dad. My favorite: taking the family to a restaurant and eating a fish while grossing out his kids.
Sydney, the Trouble Maker
Another one is one I don’t know where I read it from but it takes place during his exile in Switzerland. Brother Sydney would come over to visit his nieces and nephews who all seemed to love and adore their uncle. Charlie would be another room, probably working. Syd would tell them an off color joke and they would laugh and the kids would go off and tell their father while Sydney stayed behind. He would then hear his little brother yell at them “Who told you that joke?”
And then angrily shout “SYDNEY!”. And Sydney would just sit there laughing.
From son, Eugene
Another great video is Eugene, the fifth child from Charlie’s long marriage with Oona. Both him and his older sister Geraldine tell wonderful stories. I really liked what he says towards the end about how his father belongs to everyone, but emotionally belongs to him.
There are oodles of other stories I could share, but I better stop with what Ia already picked out.
His whole autobiography is full of great stories. Traumatic childhood, going to America, making a huge success in movies, etc.
One story I really liked is a good example of what it was like to be super famous to an extent that no one had experienced before. With the popularity of movies, going from a fad to a international medium, Charlie was one of the first people to experience it.
He tells the story in his autobiography of how he fist found out how famous he really was. He was finishing up his film “Burlesque on Carmen” in 1915 (parody of the opera Carmen) and sent a telegram from California to his brother Sydney in New York saying that he’ll be leaving by train and to meet him in New York about various offers that were coming through.
With telegrams, a message is sent from city to city until it gets to its destination (this video from the Arizona Ghostriders helps explain it more). So each city got word that Chaplin was coming through, and so crowds began to gather in each train station. And each city there were bigger and bigger crowds. When the train got to Amarillo, Texas, this is what he saw:
Peeking out of the wash-room window, I saw the station packed with a large milling crowd. Bunting and flags were wrapped and hung from pillar to post, and on the platform were several long tables set with refreshments. A celebration to welcome the arrival or departure of some local potentate, I thought. So I began to lather my face. But the excitement grew, then quite audibly I heard voices saying: ‘Where is he?’ Then a stampede entered the car, people running up and down the aisle shouting: ‘Where is he? Where’s Charlie Chaplin?’
Chaplin, Charles . My Autobiography (Neversink) (p. 234). Melville House. Kindle Edition.
And a day or so later when reaching Kansas City:
The large railroad station in Kansas City was packed solidly with people. The police were having difficulty controlling further crowds accumulating outside. A ladder was placed against the train to enable me to mount it and show myself on the roof. I found myself repeating the same banal words as in Amarillo. More telegrams awaited me: would I visit schools and institutions? I stuffed them in my suitcase, to be answered in New York. From Kansas City to Chicago people were again standing at railroad junctions and in fields, waving as the train swept by. I wanted to enjoy it all without reservation, but I kept thinking the world had gone crazy! If a few slapstick comedies could arouse such excitement, was there not something bogus about all celebrity? I had always thought I would like the public’s attention, and here it was – paradoxically isolating me with a depressing sense of loneliness.
Chaplin, Charles . My Autobiography (Neversink) (pp. 236-237). Melville House. Kindle Edition.
It seemed that everyone knew me, but I knew no one…
Chaplin, Charles . My Autobiography (Neversink) (p. 238). Melville House. Kindle Edition.
Below is a shortened version on a 1921 newsreel when he returned for a visit to London. It’s not the same event as what he writes about above, but it gives you a brief idea of what it was like where you can get an idea of the crowds:
Okay, I have a whole bunch that I love (does every scene in his movies count?), but narrowing it down to just two.
The first one I have mentioned before (Day 6 – Favorite First National): From “The Kid” (100 years old this year! Huzzah! Soundtrack that Chaplin wrote is 50 years old this year! Huzzah again!). Below is from the official Chaplin YouTube channel (I was so happy when they uploaded the whole scene! YAY!)
A favorite vlogger of mine, Jordan from the YouTube channel “Daze with Jordan the Lion“, does Hollywood and musician locations, usually in the Los Angeles area. About 4 years ago he visited a couple location from The Kid: one (at was the alley where we first see Charlie walking towards the camera) is at about 7:56. The other alley (starting at 14:28) from the ending of the above scene.
Jackie Coogan was amazing, I really loved Michael Chaplin in A King in New York. Mack Swain in The Gold Rush was adorable (he was in some Chaplin shorts as well, but best in Gold Rush). Sydney Chaplin in Limelight was lovely.
King Shadov (Chaplin) o the left, and Ambassador Jaume (Oliver Johnston)
Coming out of left field, I’m going with Oliver Johnston from A King in New York. He played Ambassador Jaume, and was a great straight man to Chaplin’s King Shadov. Both of their reactions to American culture (wide screen movies, rock and roll, TV commercials, plastic surgery) as well as the growing paranoia that was McCarthyism was very funny. I have watched the film several times, and it never disappoints. Partly due to their onscreen camaraderie. Also Michael :).
It would have been interesting if Chaplin had been able to use him in any of his earlier films.
Johnston’s last film appearance was in Chaplin’s A Countess From Hong Kong, which was released shortly after he passed away.
Back in 2017, I decided to watch A Countess From Hong Kong. It was the 50th anniversary. I did not have it due to it not having been released on video until recently. So I bought the DVD, did a live tweeting of it to record my first thoughts while watching it..
I already shared some of my thoughts on Day 10. It was a weird sensation to watch a film of his that:
was in color
widescreen
I had never watched before (outside a couple clips)
I did a live tweet while watching. Below I copied and pasted my tweets, all are timestamped so you an follow along if you wish. Maybe I might do a commentary for it? Hmmm…
My live tweets (typos included)
(I put a star by my favorites)
Livetweeting #CharlieChaplin ‘s Countess From Hong Kong in 20 minutes. Sort of a 50th anniversary celebration 🙂 #CountHK 19:40:46, 2017-07-07
Since #CharlieChaplin wrote and directed it, but only gave himself cameos, I feel I’ll be seeing his “direction” in everyone #CountHK 19:58:33, 2017-07-07
And play… #CountHK 20:00:25, 2017-07-07
Bit nervous for this, don’t know why #CountHK #CharlieChaplin 20:01:34, 2017-07-07
Ah, the familiar dance hall girl theme #CountHK #CharlieChaplin 20:02:52, 2017-07-07
Written and directed by Charles Chaplin. Woop! #CountHK #CharlieChaplin 20:03:42, 2017-07-07
That looked like that hurt #CountHK #CharlieChaplin 21:28:58, 2017-07-07
Ah, lovely Tippi Hendrin. She seems to have escaped the birds #CountHK #CharlieChaplin #badHitchcockjoke 21:30:34, 2017-07-07 *
Charlie could have done better job with the beach. #CountHK #CharlieChaplin 21:36:15, 2017-07-07
The lovely Chaplin girls 😊#CountHK #CharlieChaplin 21:37:28, 2017-07-07
I like that zoom on Brando #CountHK #CharlieChaplin 21:42:37, 2017-07-07
Oooh. BUSTED! Never try to outsmart your wife. She always figures it out! #CountHK #CharlieChaplin 21:44:37, 2017-07-07 *
And the ending credits #CountHK #CharlieChaplin 21:48:32, 2017-07-07
Pretty good! I’ll have to watch it again, but I thought it was nice. VERY weird to watch Chaplin movie in color. #CountHK #CharlieChaplin 21:50:46, 2017-07-07
Reminded me of King of New York. And a few others where Charlie falls for a dancehall girl. #CountHK #CharlieChaplin 21:52:41, 2017-07-07
But that makes me having seen all of Chaplin’s films. Only took 25 years, lol. Don’t like rushing a good thing 😉 #CountHK #CharlieChaplin 21:55:06, 2017-07-07
To end this livetweet: This is My Song sung by Petula Clark, music & lyrics by Chaplin #CountHK #CharlieChaplin https://t.co/3UiNFEnSXj 22:19:41, 2017-07-07
https://youtu.be/6te8487zsbE
Bonus
Curing the filming, Charlie celebrated his 77th birthday with the cast. And shared in on a tall cake with a Little Tramp figure at the top. Film from British Pathé YouTube channel. And, sorry, no sound (which seems fitting).
Bit of trivia: the little girl with the blonde hair in pigtails is Tippi Hedren’s daughter, future actress Melanie Griffith.
If I had done this 30 Day Challenge in 30 consecutive days when I began it two years ago last month, I would not have named this film because it had not come out yet. When Jojo Rabbit was released back in October 2019, I was curious about it. Then I heard comparisons to Chaplin’s The Great Dictator, and I was all in on wanting to see it!
One thing that both films tackle is the absurdity of Nazism. In different ways.
And as Taika Waititi says in his tweet below: “what better way to insult Hitler than having him portrayed by a Polynesian Jew?”
Chaplin had one set of problems with Hitler, Waititi had another. If you were to make a Venn diagram, both with a lot of overlap. And both played satires of Hitler. And both were brilliant at it.
Both deal with facing a prejudice by a character having prejudices, then meeting someone who having real encounters with people who they were taught were no good, though in Jojo it is more prominent. In The Great Dictator, the Jewish Barber saves Schultz, a Tomanian (German) officer, during The Great War. Later, even after Schultz finds out the man who saved him was not Aryan but Jewish, he orders no one to be assaulted in the Jewish ghetto.
Similarly, in Jojo Rabbit, when Jojo meets the girl, he doesn’t like her because she’s Jewish, but after days go by and they talk, he begins to doubt his prejudice and likes her.
Well, it’s an okay comparison. Not exactly the same, but similar.
Another similar thing is that both films were nominated for Oscars, including Best Picture. But Jojo won one, for Best Adapted Screenplay.
Reviews and Discussions
Below is one of my favorite YouTuber movie reviewers, Jeremy Jahns, as he talks about what he thought of it.
The German version of David Bowie’s “Heroes” (German version also sung by Bowie) is used in both the trailer and the end of the movie. One of Chaplin’s sons, Eugene Chaplin, was a assistant engineer for the regular English-sung album. Eugene’s son Spencer interviewed him on his Chaplin Talks podcast, and Spencer brought that up:
Just finished re-watching The Rink from 1916 from his Mutual period. Watching him on skates is balletic. How does he lean backwards for that long, on roller skates, and not fall down? And how does he do all the other things on skates?
There’s a bunch of great photos of him out of costume, usually wearing a suit. I have a couple in my room, one of him (probably in his 20s) in a suit, and another of him wearing everyday clothes (one of his tennis sweaters), holding a violin, talking to Buster Keaton on the set of Limelight.
And then there are the artsy ones like the one above taken by Lee Miller. I absolutely love the lighting.
Another one that is artsy, and I love almost as much as Miller’s photo, is one taken by Edward Steichen in 1925. Again the lighting is great, and the use of Chaplin’s larger than life shadow.
Charlie, wearing his tree costume from Shoulder Arms
Oh boy. I’m going to be jumping all around his timeline!
Well, maybe 1918. Right when he starting rolling with his studio and around the time when he was working on creating United Artists. Watching the making of Shoulder Arms. That would be cool 🙂
Second would be the filming of Limelight.
Charlie as Billy the Pageboy in “Sherlock Holmes” play
And in 1894, to sit in the audience when he took the stage at the first time at 5 years old to save his mom when she had a breakdown on stage and people were booing her. To divert their wrath, he started to sing and everyone loved him.
And, as a Sherlockian, an absolute must would be to watch one of his performances as Billy the pageboy in the Sherlock Holmes play, with either William Gillette or H. A. Saintsbury as Holmes.
Just now I released how I started this article, and is somewhat fitting. “Oh boy” was the signature line said in one of my favorite TV shows, “Quantum Leap“, about a guy who time travels by leaping into people’s bodies.
