I have two. My answers will not be surprising to long time Chaplin fans.
The Gentleman Tramp and Unknown Chaplin. Gentleman Tramp is a biography, and Unknown Chaplin is a “behind the scenes” doc.
I baffled my family growing up with the number of times I have watched these. And I have baffled my kids equally as much.
“Mom, you’re watching that again?“
Like his films, these docs are fun and comforting. And I appreciate the tons work that went into them.
By the way, these are listed in order of release date, not a ranking.
The Gentleman Tramp
First, The Gentleman Tramp, written and directed by Richard Patterson, narrated by Walter Matthau, released in 1975. One of the things that makes this interesting is that it was made while Chaplin was still alive.
I first saw it listed in David Robinson’s book. And then in the early 90s in my baby Chaplin fan days, I saw the VHS while browsing around one of my favorite stores, Media Play, and grabbed it up right away. And continued to watch it numerous times. Then many years later I saw it at Amazon from Patterson himself. The DVD has two versions of the doc: one is the version that was on the VHS, and another longer version with a introduction by Matthau and his son, Charlie as they traveled to Chaplin’s Switzerland home, and a couple alternate takes (for example: during the Joan Barry court case). The DVD also came with a booklet written by Patterson talking about the ups and downs of making the doc (Chaplin had some disagreements with him with how the doc was being put together). I usually watch the version that I first saw.
You can buy it from Amazon here. Or you can watch a couple clips from it that was put up by the official Chaplin YouTube Channel:
There’s no place that I know of where you can buy it streaming, but it is on DailyMotion – watch it here: part 1 and part 2.
All the music is either by Chaplin (most of it falls into this category), or about Chaplin (“When The Moon Shines Bright On Charlie Chaplin” played during discussing why Chaplin did not fight during WWI). It also has more footage from the 1972 Oscars than what exists online.
Narration is provided by Walter Matthau. Which seemed like an odd choice to me at first, but then I realized that his wife, Carol, and Charlie’s wife, Oona, had been best friends since their teens. Also wonderful voice-overs reading excepts from Chaplin’s autobiography (read by Laurence Olivier), his son Charlie Jr (haven’t ID’ed that voice), various news articles and gossip columns (either supporting Charlie or deriding him),
Unknown Chaplin
Unknown Chaplin was the first Chaplin documentary I saw, years before I was a fan. It was somewhere during part 2: “The Great Director” when they were showing how The Gold Rush was made. I remember sitting there amazed by everything. They were explaining how the famous shoe eating scene was done (the shoe was made of licorice). When I finally saw the film when I became a fan, I remember not being grossed out because I knew that it wasn’t a real shoe, just licorice in shape of a shoe. And it did not gross me out like it does everyone else. Then after I became a fan, I read how Chaplin said that he never liked to talk about how he made his films, because it ruined the magic of it. And I thought to myself “What is he talking about? I love seeing how it was done and all the behind the scenes stuff. That;s just silly…” And then I remembered the shoe, and then thought “Okay, maybe he does know what he’s talking about”. Haha.
What got me when I was younger was the witty writing, excellent narration (by James Mason), smart editing, fitting music (the wonderful Carl Davis!), and overall energy of the documentary. That’s what kept me watching the first time, and what keeps me coming back to it.
So what is Unknown Chaplin about?
In the 1970s when Kevin Brownlow and David Gill were putting together their behemoth multi-part documentary “Hollywood: A Celebration of the American Silent Film”, they discovered so much unseen Chaplin footage (that Chaplin had originally ordered to be destroyed) showing how he made his films that they decided to make a documentary based around that.
There’s 3 parts:
My Happiest Years – From his days at Mutual, this contains lots of footage of his filmed rehearsals as he worked out story ideas.
The Great Director – Footage from How to Make Movies, making of The Kid, The Gold Rush, City Lights,. Interviews with Dean Reisner, Jackie Coogan, Lita Grey, Robert Parrish, Virginia Cherrill, Georgia Hale..
Hidden Treasures – Main focus is ideas that Charlie would play around with earlier in his career with and how they would show up years later in his films. The other half is deleted scenes from his films. And some other footage from How To Make Movies and visitors to the studio
Below is part 1. I totally love all 3, but part 1 is my favorite, in particular the evolution of “The Immigrant”. And here’s part 3
Favorite lines/scenes from Unknown Chaplin
During the segment on how The Immigrant came about, in the scene with Charlie and Albert Austin, and Charlie purposely throwing Albert off and laughing:
“After all, it’s only slate one”
This is hilarious, because practically from the time Chaplin started directing while at Keystone, he was notorious for doing oodles and oodles of retakes.
And then shortly later
“The film is a simple cafe comedy about a man who’s never been in a cafe. That all it is. So far.”
In the beginning of part 2, “The Great Director”, Dean Reisner’s story of how Charlie and Sydney had to trick him into hitting them in The Pilgrim. Also love the edit of when Dean says “And so finally he and Sydney would play slapping games”. And it cuts to Charlie looking over at Sydney. Lovely edit! Also great story that I forgot to put in my “Favorite story about him told by someone else” post. You can also see this segment in the free preview on Amazon.
The opening of Hidden Treasures, with Doug Fairbanks 1929 home movie where Charlie is running around with a ancient Grecian tunic. And then fools around with a globe and then puts a WWI German helmet on it. Cut to 20 years later in The Great Dictator to the famous globe dance scene. That still jaw drops me! You can see the full home movie here (black and white, no music), and colorized (4k, 60fps,and music. Rather cool!)
(Side note: The above opening segment was cut out of the DVD and the version on Amazon. However, you can watch it in Amazon’s free preview. Why is it not included in the regular episode? I have absolutely no idea. I just noticed it now while writing this.)
From Hidden Treasures, the deleted barber scene from Sunnyside with Charlie and Albert Austin. Music is clever too. The song is from the opera The Barber of Seville. Like in Day 11 when it took me almost 30 years to realize Chaplin used Wagner in The Great Dictator, it took me a few years before I realized (though it was just 5 or so years). I was listening to the local NPR when they were playing Barber, and it got to that part, and I thought “Hey, I know that song!”. And then remembered Unknown Chaplin. Very clever use of the music :). You can watch the opera with that particular tune, “All’iddea di quel metallo”, here.
Also from Hidden Treasures, the cut scene from City Lights where Charlie tries to push a slat of wood down a grate. Most of the scene is slow, and I’m glad he cut it. BUT – the guy who comes out to window dress the mannequin and gets furious at Charlie for not figuring it out…. Love that!
Deleted from the DVD and Amazon release
One thing that got removed was Geraldine Chaplin’s introduction:
Right after the segment about the cut piece from “Behind the Screen” where Charlie just misses the huge axe landing on him, there was a pause before going onto the segment for “The Immigrant”. (Yeah, I watched the VHS that many times I remembered how it was edited, haha).
And, as I mentioned above about the Douglas Fairbanks opening for “Hidden Treasures”
Remember the Easter Egg in Robert Downey Jr’s Chaplin?
That documentary series I mentioned above that Brownlow and Gill made, “Hollywood” is an amazing multi-part series. One of the reasons why it’s amazing are the interviews with people who were there. Directors, actors and actresses that are no longer with us.
A great documentary that is not just about Chaplin, but the other great silent comedians: Buster Keaton, Harold Lloyd, and Harry Langdon. With interviews with Hal Roach, Frank Capra, and Jackie Coogan and a few other contemporaries. In “Comedy: A Serious Business”. Made by Brownlow and Gill a couple years prior to Unknown Chaplin.
It’s more of a video essay, but I really love the below video by the YouTube channel Newfangled (and currently has less than 1000 views at the moment): “Charlie Chaplin Doesn’t Give a F*ck”
Okay, I have a whole bunch that I love (does every scene in his movies count?), but narrowing it down to just two.
The first one I have mentioned before (Day 6 – Favorite First National): From “The Kid” (100 years old this year! Huzzah! Soundtrack that Chaplin wrote is 50 years old this year! Huzzah again!). Below is from the official Chaplin YouTube channel (I was so happy when they uploaded the whole scene! YAY!)
A favorite vlogger of mine, Jordan from the YouTube channel “Daze with Jordan the Lion“, does Hollywood and musician locations, usually in the Los Angeles area. About 4 years ago he visited a couple location from The Kid: one (at was the alley where we first see Charlie walking towards the camera) is at about 7:56. The other alley (starting at 14:28) from the ending of the above scene.
Charlie, wearing his tree costume from Shoulder Arms
Oh boy. I’m going to be jumping all around his timeline!
Well, maybe 1918. Right when he starting rolling with his studio and around the time when he was working on creating United Artists. Watching the making of Shoulder Arms. That would be cool 🙂
Second would be the filming of Limelight.
Charlie as Billy the Pageboy in “Sherlock Holmes” play
And in 1894, to sit in the audience when he took the stage at the first time at 5 years old to save his mom when she had a breakdown on stage and people were booing her. To divert their wrath, he started to sing and everyone loved him.
And, as a Sherlockian, an absolute must would be to watch one of his performances as Billy the pageboy in the Sherlock Holmes play, with either William Gillette or H. A. Saintsbury as Holmes.
Just now I released how I started this article, and is somewhat fitting. “Oh boy” was the signature line said in one of my favorite TV shows, “Quantum Leap“, about a guy who time travels by leaping into people’s bodies.
One person towers ahead of other bad guys. Standing at 6’5, and just under 300 pounds, it’s Eric Campbell.
He worked with Chaplin back in the Fred Karno days in England, and later found his way to America. Chaplin brought him into his cast at Mutual, and they worked on 11 of Chaplin’s 12 Mutual films from The Floorwalker in 1916 to The Adventurer in 1917. His last appearance was as a golfer in the unreleased How to Make Movies.
He was great as the big bully, his Goliath to Charlie’s David. And those make-uped eyebrows! He was a bit of a cartoonish bad guy, but he was fantastic at it. Sadly he died young in 1917 in a car accident.
Sometimes, depending on my mood, it is City Lights, or Shoulder Arms, or The Great Dictator, or if I was in a noir frame of mind, Monsieur Verdoux. Or really any one of them. Over the years some people have assumed my favorite was Limelight since I picked Calvero as my username. Nope. Though I do truly love and adore it.
In my MT post, I mentioned the feeding machine scene where I laughed so much I was crying and my sides hurt. A few months after my post, the Chaplin YouTube channel posted the scene:
And a interesting picture of Chaplin rehearsing the scene:
Another scene that I love, and that is the fascinating foreshadowing scene where he gets falsely arrested for being a communist leader:
And lastly, a neat behind the scenes of how the roller skating scene used some special effects:
Next in the 30 Day Charlie Chaplin Challenge – Least Favorite Film
There’s One A.M. with Charlie coming home drunk and does battle with a clock pendulum and a Murphy bed. There’s Behind the Screen where Charlie discovers a woman who disguises herself as a man in order to get a job movies. And the lovely The Immigrant. Among several others. Like, everything…LOL
Really, really difficult to decide. You would think the less films made for a period would make it easier. But nooooooo. We’re talking Chaplin here. It only gets harder with each following era. All of these are superb! I feel like throwing a dart on a list and see where it lands (or where it lands nearest to) to determine which one I like best.
The one I watch the most, so I’m going with it as my answer: Easy Street. Yeah, I know, it’s a cliche answer (at least, I feel it is), but I really like this one. It’s a bit autobiographical (Chaplin grew up on the slums of late Victorian London streets. The more autobiographical he got, the more I loved the film; i.e. Limelight). There’s gang violence in the streets, and Charlie has to temper the ruffians.
Eric Campbell. Now there’s a classic old fashioned bad guy. But I’m getting ahead of myself. And the lovely Edna! I really love the way she is introduced with that angelic light on her as she plays the piano.
Highlights of the film
Charlie literally gaslighting the heavy (Chaplin actually hurt himself with the lamppost. Needed some stitches on his nose. Sacrifice for the sake of the art!), feeling sorry for the woman who he catches stealing food for her large family so he steals more, the cute little kid who scares the police, and the chase at the end where the heavy gets…well, I don’t want to spoil it for you if you haven’t seen it 😉
